Adian Chapman & Cast | Photo by DJ Corey Photography
We have adaptations of Mary Shelley’s “Frankenstein,” Lord Byron’s “Darkness,” and John Polidori’s “The Vampyre.” It’s about time the iconic dinner party challenge where all these tales were written gets a spin-off of its own—rock séance style—in “SO LATE INTO THE NIGHT.”
It’s always exciting to see a new work get up on its feet…innovative…the ensemble…gave it their all.
A large dinner table is set in Rorschach Theatre’s new space at The Stacks, bringing audiences in “Masquerade” style up close and personal to Mary Shelley’s (Isabelle Jennings Pickering) Switzerland dinner party. When Lord Byron (Paul Pelletier Jr.) challenges the group of friends to a séance to learn of their own demises, the party turns sideways. With visits from a ghoul (Adian Chapman) decked out in leather and fur, and The Shelleys—a 2025 Ohioan rock band writing a concept album on this very dinner party—1816 doesn’t know what hit them.
As soon as you enter The Stacks, you’re transformed into a spooky world decked with cobwebs (props designed by Mason Dennis), eerie lighting (excellently designed by Dean Leong), and a large 32’ x 12’ table that serves as the main stage for the actors. Adding to the immersion, audience members are seated either in bleachers or around the dinner table, interacting directly with the performers (a little heads-up: if you choose to sit on the bleachers, like I did, some of the taller actors block parts of the action). There’s also a raised concert-style stage for The Shelleys. Horror scenes leap right off the page and onto the stage thanks to the excellent set design by August Henney and the direction of Jenny McConnell Frederick.
It’s always exciting to see a new work get up on its feet, and “SO LATE INTO THE NIGHT” is no exception. While Shawn Northrip’s book needs development to reach the next level, its innovative ideas shine through. Characters could be more fully realized—none seem to have a complete growth arc. For instance, Claire’s (Sydney Dionne) story begins tragically and ends with her as a feminist icon, yet it’s never explained how she gets from point A to B. Even The Shelleys joke that there must be a moral to this story…but no, their driving plot point is simply to finish their album.
The songs (also composed by Northrip) felt reminiscent of existing musical theatre and rock selections, which was sometimes distracting as one tried to place the melodies. Lyrics were often muddled, perhaps due to the actors’ diction or the overpowering live band. Even when the lyrics came through—such as in Claire’s Act II rap number (hopefully future performances will include a song list)—timing occasionally fell out of sync with the band, something easily fixable.
Material aside, the actors made the most of the rock score. Chapman strutted across the stage as the ghoul, showcasing compelling, powerful vocals (even amid a broken microphone). Pelletier Jr. delivered a believable and commanding performance as one of literature’s favorite f-boys. Maxwell Ross’s Percy offered commendable vocals and an emotionally resonant portrayal. Leading The Shelleys, Lydia Gifford as Trillian gave an incredibly versatile performance, showing off strong vocals, acting chops, and skill on multiple instruments. The entire live band (Veronica Rose Bundy, Billy Bob Bonson, and Dani Ray) deserves praise for a truly rocking performance. While there were moments of unnecessary ad-libbing, the ensemble as a whole gave it their all.
“SO LATE INTO THE NIGHT” introduces us to new ways of thinking about the authors behind some of our favorite spooky tales; however, this story may need a few more rounds around the dinner table before the next séance.
Running Time: Two hours and 30 minutes with one 15-minute intermission
Advisory: Ages 13 and up for frequent adult language and themes, some bloody violence, and occasionally pretentious poets.
About The Experience: Expect bright and flashing lights, plus some big sounds. The action will unfold up close for an intimate experience—but don’t worry, you’ll stay a spectator. The audience is never part of the performance.
“SO LATE INTO THE NIGHT” runs through November 2, 2025 (Thursdays, Fridays, and Saturdays at 8 pm, Sundays at 3 pm), at The Stacks, 101 V St. SW, Washington, DC. Tickets ($20-$50). For more information and to purchase tickets, please go online.
