Apotheosis, presented by the Avalanche Theatre Company at the Capital Fringe Festival, does not aim to tell a story, but to capture and worship the darkness and light of human emotion. The s... Read more
Stephen Notes’ Moths, now playing at the Capital Fringe Festival and directed by Roma Rogers, is an exercise in self-expression masquerading as play about insects. Or rather, people who may... Read more
A Gothic-novel-turned-musical is good, but a Gothic-novel-turned-rock-opera is better. Landless Theatre Company’s Frankenstein is atmospheric and exciting, a surprisingly faithful adaptation... Read more
The conception of the musical Camelot is like a set of Russian nesting dolls— it is an adaptation of an adaptation that was inspired by an adaptation of a legend. Lerner and Loewe based Came... Read more
Howard Community College’s Arts Collective’s production of Prelude to a Kiss treats an absurd premise with sensitivity, shedding light on the themes of love and loss. The story concerns two... Read more
If you’re looking for a breath of fresh air after a winter of somber drama, look no further than Rep Stage’s production of Boeing Boeing. A lively cast drives this bedroom comedy of errors w... Read more
Spotlighters’ production of Peter Shaffer’s Equus takes a firing-on-all-cylinders approach to a play with inherent subtlety. Rather than employ a sensibility of understatement, this version... Read more
In Strand Theater Company’s U Probably Think This Play Is About U, writer/performer/protagonist Maija DiGiorgio struts and frets her hour upon the stage, filtering her woes about love throug... Read more
James McLure’s Laundry & Bourbon and Lonestar are two separate plays, but function in Fells Point Corner Theatre’s production as a complete work. The play explores the lives of six decep... Read more
Caridad Svich’s The Tropic of X, now playing at Single Carrot Theatre, is a stylized saga set in a hypothetical future where thrills are cheap and true love comes at a high cost. A strong en... Read more